Stephen Whitty does a nice profile of Japanese-American actor Sessue Hayakawa, an early pioneer in a new medium of silent films, and one of the most well known Hollywood movie stars in his day:
“Born in 1889 to a prominent Japanese family…He ended up settling in Los Angeles and doing local Japanese theater; discovered by movie producer Thomas Ince in 1914, he then moved on to pictures, playing not only Asian characters but Native Americans and Arabs. Then, the following year, he made “The Cheat.”… Hayakawa played a handsome businessman who lends a desperate white woman money, then brands her as his property… “The idea of the rape fantasy, forbidden fruit, all those taboos of race and sex — it made him a movie star. And his most rabid fan base was white women.”"
The article goes on to describe how Hollywood, after Hayakawa, has taken huge steps backwards for Asian-Americans. A reference in the article is made him in a documentary called “The Slanted Screen,” which chronicles the history of Asians and Asian-Americans and the stereotypes they betrayed on the silver screen. I think that we can all agree that Asian-Americans are starting to make a lot more progress in American media in terms of more and better representation and less stereotyping, but as always, there is still a lot of room for improvement. I found a clip of “The Cheat” here on YouTube:
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Feb 16: Adam WarRock and Kirby Krackle: West Cost Tour Dates!!!
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Feb 18: (Stanford, CA) Stanford’s 16th Listen to the Silence Conference
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[...] I’ve blogged about “yellow face” performances perpetuating bad stereotypes of Asians/Asian-Americans before in movies before, but this was the first ever piece on the radio I’d ever heard regarding Asian-American male actors and bad stereotypes. I also blogged recently about how that a Hollywood pioneer actor was an Asian, before Hollywood took…. [...]