8 Asians

LAAPFF 2017: ‘Plastic China’

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8Asians is proud to be a community co-presenter of this film at the 2017 Los Angeles Asian Pacific Film Festival (LAAPFF). As a reader of 8Asians, please enjoy a discount to this film using the code: 8AZN17

Screenings
April 30 at 4:00 PM (CGV Cinemas 3)

Plastic China
Directed by Jiu-Liang Wang
International Competition / China / 2016 / 82 mins / Mandarin with English subtitles / Color / 16:9, D-Cinema / Los Angeles Premiere

Eleven year old Yi-Jie plays with her younger brothers in piles of used plastic materials, often made into wondrous simulacra of modern life. Sheets of confectionery wrapping become colorful wallpaper; old newspapers and grocery store leaflets take flight, either as a superhero cape or an English lesson. While her family lives and works alongside their employer in the ever-continuous task of sifting, processing, melting and reformatting the vestiges of the first world, Yi-Jie takes care of the household. Being put to task by her ne’er-do-well father, a Yi minority man who brought his family to a small industrial town that is thousands of miles away from home, Yi-Jie remains ever willful and perspicacious, stealing moments away to learn a new word or concept — or to observe the parallel lives of Kun, their family’s employer, while he aspires and works hard towards achieving a better life for his own peasant-rooted family.

Director Wang Jiu-liang spent years investigating the post-consumer waste industrial systems which link China to the rest of the world (and vice versa), beginning with his renowned photography work and documentary BEIJING BESIEGED BY WASTE (2011). His unique approach to the award-winning documentary PLASTIC CHINA, however, remains far from didactic or inflammatory. Closely following two families over six years, this work invites us to see the universal in the ultra-personal: we may witness difficult family conversations, take stock in the banality (and toxicity) of their work, decipher divisions along ethnic and social classes, and even rejoice at the miracle of life. Coming full circle, then, the film may even prepare us to answer the question: How are we personally connected to one girl’s dreams of going to school, and what are we doing about it?

— Chanel Kong

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