Before we knew it, we were flying
Amy Ahn’s three-song EP dropped June 1. The classical harpist with harp performance degrees from UCLA and the Boston Conservatory at Berklee blends genres in a poppy-jazzy-r&b style. In an interview with & Strings, she says,
If I’m going through something and feel like there are truths that need to be heard in this world, I like putting it in the form of a song. I put together a three song EP, very very small but quality wise very very big and put a lot of heart and effort into it.
Every song is really different. So if I were to describe it sonically, the groove is like Emily King, the soul is like Corrine Bailey Rae, my voice wilts a lot, and my classical background comes out with a string quartet that plays in one of the songs, which I’m super excited about.
Good morning, love! I'm so happy to finally be able to share these songs w you + say that they're available for streaming on all platforms and for purchase on iTunes!❣️ I hope you guys feel allllllll the love! There is a crazy amount of it for you all in this. 🌝❤️ *pstt* These ones below (#ItTakesAVillage) helped me bring mangoes to life. Produced/engineered by @ryanyoo_ and @veznick (w assist from @hotlinedingg) Strings arranged by @tedcasemusic and performed by @danielchaee, @tiffchung, @bababamusic + #clementchow Guitar by @enobae Mixed by @pranbandi Mastered by @sarloson Cover art by @shelikeswords and @parcelsofpeace
What’s a girl got to do?
An ocean full of ideas unheard
Most immediately notable is Amy’s voice, which reminds me most of Karen Peris’s sweetness combined with Norah Jones’s sultriness. It’s very breathy, sometimes distractingly so, in the way that many contemporary folk-influenced singer-songwriters are breathy, only breathier. What sets Amy apart is her vocal style, which leans heavily on r&b sensibilities but with an admirable jazz vocal attack. I imagine her laying down vocal melodies and deciding they weren’t challenging enough, because she seldom takes the easy vocal path getting from here to there. It’s pretty refreshing, and it’s refreshingly pretty.
“Bird’s Eye View” opens with just vocals and a harp, something else you don’t hear much of in pop-inflected music, and it compares nicely with the intros to the other tracks, which open with just vocals and acoustic guitar, the much more common approach. All three songs develop into rather complex multi-instrumental arrangements. The layering is really nice; I especially appreciated some nice piano coloring in “Mangoes,” and a weird, fascinating, oscillating industrial sound I can’t identify at about the :55 mark in “Bird’s Eye View.”
If there’s a lyrical theme, it’s “I used to be that, but now I’m this.” If I have one complaint, it’s that the mix doesn’t leave enough room for Amy’s lyrics, making them difficult to understand in places, especially “Bird’s Eye View.” I’m not sure, but I think she actually uses the lyric, “never thought I’d be in like with you” in “Never Thought I’d Be,” a phrase I’ve always favored but don’t remember hearing in a song.
“Mangoes” is the best song, musically and lyrically, so if you’re in a hurry start there. Otherwise, put the whole EP in your earbuds on repeat for a few spins or a few days.
I really do like you