8 Asians

Jaden Smith, the next Karate (Kung-Fu?) Kid

Some fans of the original Karate Kid movie are appalled by the remake starring Jaden Smith as the new Karate Kid and Jackie Chan as his teacher.  Some are very explicit about their displeasure to a having a black kid play the role.    But as Jeff Yang points in this article, the story of an African-American learning self control and discipline from martial arts is “less of a perversion than it is a correction.”

Yang says that African-Americans were the first non-Asian community in the US to embrace martial arts, and without them, Asian fighting disciplines might never have taken root.  “The story of martial arts in black communities is part of a much bigger narrative of African American interest in Asian culture,” says Amy Obugo Ongiri, assistant professor of English at the University of Florida and author of the forthcoming book “Spectacular Blackness.”   White flight, she says, made inner city theatres become spaces for people of color, and cheaper, less marketable films like martial arts movies were often shown.  “We’d go and watch films all day,” recalls Warrington Hudlin, the producer behind films such as “House Party” and “Boomerang.”

Bruce Lee has been particularly influential.  In the documentary “How Bruce Lee Changed the World,” a number of African Americans, like Wu Tang Clan rapper and producer RZA and actor and rapper LL Cool J, talk about how Bruce Lee influenced them.  While filming certain scenes, LL Cool J thought about how Bruce Lee would have done the scene and acted accordingly.  Interestingly enough the new movie is being filmed in the Wu Tang mountains.

I am not sure that this new version of the Karate Kid (shouldn’t that be “Kung Fu Kid” if he is learning from Jackie Chan in China?) will be better that the original (although the reimagined Battlestar Galactica certainly has its plusses).  In any case, check out Yang’s article – it’s interesting, and I hope the Karate Kid remake is at least as good!

The Toronto International Reel Asian Film Festival opens today with the Hong Kong film Overheard playing at the Bloor Cinema (Bathurst and Bloor). This is the last part to my 3 part mini review. Hope to see you there! Stop by the merchandise table!
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The Toronto International Reel Asian Film Festival rolls into town November 11 – 15th, 2009. Check out a short interview with the Director of the Canadian film The Ache, Keith Lock above and the second part of my mini reviews below.
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The Toronto International Reel Asian Film Festival rolls into town — mine! — November 11 – 15th, 2009. In honor of the film festival, this is the first of a three-part mini reviews post of the features being presented. Watch the trailer and if you like, check out the limited edition shirts over at NIWE Style Clothing.
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As someone who grew up in the U.S., I never really got the Disney bug as a child. Maybe it’s because I grew up in New York, far away from either Disneyland and Disneyworld. My first experience with Disneyland wasn’t until I was in college and visiting an aunt and uncle in Los Angeles. There also wasn’t much to pick from in animated Disney films as I was growing up. Fast forward, and today, thanks to having a 4 year old daughter, I’m in over my head in Disney paraphernalia. I can tell you the name of every Disney Princess, including the one who’s going to be introduced this December.

We’ve spoiled our daughter and taken her to Disneyland for her birthday each year, so we’ve gotten pretty familiar with the theme park. In addition my company has even held an event in EuroDisney, which I got to attend. What I didn’t realize until reading about the latest Disneyland planned for Shanghai, is that there’s already one in Hong Kong and Tokyo.

The park in Shanghai has been in planning for the last 20 years, and finally won approval this month. It’s estimated it will be completed in 5 to 6 years and be a little larger in size than the current Disneyland in Anaheim, CA. Disney hopes this theme park will create the kind of marketing engine that the other Disney parks have, encouraging families to buy into the paraphernalia the way my family has.

In part, the promotion of Disney within my own family has been largely my fault, as I was looking for role models for my daughter, and thought Mulan, with all its flawed images of Chinese culture, was at least a good independent Asian female role model, and not the helpless princesses of other Disney classics. Unfortunately, my daughter never took to Mulan and instead favors Snow White, who relies on others to save her. Disney to their credit did also produce an American Native Princess, Pocahontas, and East Indian Princess, Jasmine. And finally this Christmas season, the African American Princess, Tiana. My daughter can’t wait to go see this latest movie, so I think I’ll refrain from letting her know there’s another Disneyland she can visit until she’s a little older.

In modern pop culture, the Three Kingdoms period of China is kinda like the Medieval period to Americans — dramatic war stories full of people performing acts of valor and glory that have been dead of hundreds of years — except, you know, that shit was real. (Okay, King Arthur may be real, but the whole slaying flying dragons thing? Come on, now.) Which is probably why Red Cliff, the epic four-hour movie based on the Three Kingdoms period that was directed by John Woo last year smashed box office records in China previously owned by Titanic.

Now an abridged, westernized version Red Cliff is coming to America and if you live in the Southern California area, you’re in luck — you can watch a free screening in Los Angeles at the DGA. But here’s the catch — the free screening, especially geared towards 8Asians readers, is Wednesday night. Yep, tomorrow. To RSVP, YOU MUST send an email with the subject line “RED CLIFF RSVP – AAAN” to redcliffRSVP@gmail.com where you will receive further instructions. Priority will be given to registered people, but that does not guarantee a seat, so we recommend you arrive at least 30 minutes before the special 7pm screening time. And use the bathroom beforehand — this may be the abridged version, but with a 140-minute screening time, you’ll not want to miss any of the action.

I try not to take for granted the vast number of cool events that happen in Los Angeles. I know that a screening of an almost 60 year-old Japanese movie doesn’t sound like the sort of thing that you can only find in L.A., but it is! The Academy of Motion Pictures Arts & Sciences is presenting a stunning new restoration of Akira Kurosawa’s classic Rashomon, taken from a 35mm print created in 1962 from the original camera negative.

The truth of the matter is that because the heart of the film industry is here in Los Angeles, so is the heart of film restoration efforts. Film restoration is extremely tedious and costly, and many of our film treasures are being lost at a rapid rate. Because are we lucky enough to be in a city where much of the restoration is done, occasionally beautifully restored films are publicly screened here!

In this case, we’ll get to see the groundbreaking Kurosawa masterpiece Rashomon, starring Toshiro Mifune in the role that catapulted him to stardom. The film depicts the rape of a woman and the apparent murder of her husband through the widely differing accounts of four witnesses, including the rapist and the dead man (through a medium). The stories are mutually contradictory, leaving the viewer to determine which, if any, is the truth. Rashomon has become synonymous with the unknowability of truth, and spawned the term the “Rashomon Effect.” regarding the subjectivity of perception on recollection.

Regarding this particular restoration:

While the [35mm print from 1962] print itself was in good physical condition, the source material from which it was made was extremely battered. Due to the extensive printing and handling it had received over its lifetime, many shots were already starting to shrink and warp, and there were numerous scratches, dust, and dirt in the damaged negative. Scanned at 4k resolution, that 47-year-old print has been meticulously cleaned both digitally and by hand, complete with a new, seamless soundtrack. This essential restoration has been made possible by the Academy Film Archive, the National Film Center of the National Museum of Modern Art, Tokyo and Kadokawa Pictures, Inc., with funding provided by Kadokawa Cultural Promotion Foundation and Martin Scorsese’s Film Foundation.

Rashomon opens Friday, October 2, 2009 at Landmark’s Nuart Theatre, showing through Thursday, October 8 for an exclusive one-week engagement. Showtimes: Fri-Sun at 12:00, 2:30, 5:00, 7:30 & 10:00; Mon-Thu at 5:00, 7:30 & 10:00. Landmark’s Nuart Theatre is at 11272 Santa Monica Boulevard, just west of the 405 Freeway, in West Los Angeles. Program information: 310-281-8223; www.landmarktheatres.com