I had the opportunity to talk with Katie Rose Clarke before the Allegiance opening night. In the new musical about the experience of a family during the WWII Japanese American internment, Clarke plays Hannah, an Army nurse who falls for Sammy Kimura (Telly Leung), an interned Japanese American citizen.
I saw the show the first weekend that it was in previews – and I really enjoyed it a lot. What first got you interested in the project?
The show has been around since 2009 in development. It [initially] wasn’t on my radar because, as far as I knew, the show was cast, so when I heard it was coming to Broadway, I assumed there wasn’t a role for me. Then I got an audition for it, and as I read through the script, I was in awe of the subject matter, which I knew so little about, and by the idea of being a part of a story that has never been told, a part of history that so few people have much knowledge about. [At that time], I could not read enough about that era in our nation’s history because I, embarrassingly, didn’t know anything about it. So the whole idea of the show resonated with me. Continue reading “8Questions: An Interview with Katie Rose Clarke of ‘Allegiance’”
As a reader of 8Asians, you’re probably aware of the Broadway musical Allegiance, currently running at the Longacre Theatre in New York City. Featuring the talent of George Takei, Lea Salonga and Telly Leung, Allegiance opened on November 8th to positive critical acclaim. A show about the internment of Japanese Americans during World War II, the musical is already making waves with original songs such as “Gaman,” “What Makes A Man” and Salonga’s uplifting and inspirational performance of “Higher.”
One part of Allegiance that captures an authentically American spirit of rebelliousness is the song “Paradise,” an energetic ensemble performance led by Michael K. Lee as the resolute draft resister Frankie Suzuki. A boisterous big band buster seething with saucy snark and swing, “Paradise” expresses the cynical sentiments of the Heart Mountain Fair Play Committee as they protested the government’s efforts to enlist them while their families remained incarcerated.
I know the show has changed considerably since San Diego, with a few changes since previews began on October 6th. Can you share with us some of the changes?
The show has evolved a great deal since San Diego– You know, the show has evolved a great deal since first preview! Haha… all done with the express purpose of streamlining the story. On Broadway alone, we’ve added a new opening number, “Wishes on the Wind,” a new community/baseball scene, a new victory swing, and a new finale, “Still a Chance.” Seriously. And I’m not letting the cat out of the bag here, because I think anyone who was able to see our first shows and have been lucky enough to see it after opening have been privy to these changes. And they’re all so great.
Since the San Diego production, I think all of the characters have really been given dimension. Kei (Salonga) is stronger, Sammy (Telly Leung) more resolute with his convictions. My character Frankie has also been given more form, focus, and determination. Also, in San Diego– I didn’t sing my proposal to Kei!
Your character, Frankie Suzuki, was a rather rebellious character compared with Sammy. Knowing what you know about the incarceration, which side do you think you would have taken (Sammy, Frankie, maybe even Mike Masaoka)?
You want me to fight as an American? Then treat me as an American.
It’s a tough question. I was a social psychology major at Stanford, and one of the things I learned is that social circumstance dictates social behavior. If I were a young man in 1940s, wrongly imprisoned for my ethnicity, I think I would have done everything in my power to prove people wrong. I know when I was in high school, I did everything possible to fit in and be just like everyone else. My family was the only Asian family where I grew up in upstate New York. When the stakes are that high, I think the exuberance/naïveté of youth would have propelled me to fight and join the 442nd Regiment. But after graduating from college, studying Asian American history, knowing about the civil rights era now– in a post-Vietnam War era– I think I would have done what Frankie did: You want me to fight as an American? Then treat me as an American.