Unless you’ve been living under a rock, you know that the movie Crazy Rich Asians is coming out today, August 15th, nationally. I was able to see a pre-screening a week early that the filmmakers promoted on the auspicious lucky date of 8/8/2018.
If you have been living under a rock, Crazy Rich Asians is one of the most “anticipated films of the summer” according to USA Today (based on the 2013 international bestselling book by Kevin Kwan). The first major Hollywood film in 25 years with an all-Asian cast that isn’t a period piece—more than two decades removed from the last big-budget movie of the same ilk, The Joy Luck Club.
The story follows New Yorker Rachel Chu as she accompanies her longtime boyfriend, Nick Young, to his best friend’s wedding in Singapore. Excited about visiting Asia for the first time but nervous about meeting Nick’s family, Rachel is unprepared to learn that Nick has neglected to mention a few key details about his life.
Crazy Rich Asians is very much in the genre of the romantic comedy (“rom-com”) except that there are Asians and Asian Americans in all of the major and minor roles, speaking mostly English. This, as I and many others have noted, is a big deal:
As it turns out, there were questions about casting even before the book hit stores. Mr. Kwan said a producer who wanted to option the book had suggested that he make Rachel white. Mr. Kwan refused.
“It didn’t surprise me,” said Constance Wu, the Chinese-American actress who ultimately secured the role and who has been a vocal critic of Hollywood whitewashing. “I’m just glad that Kevin stuck to his guns. It takes a lot of courage to say no to something, especially if you’re scared that everything might slip away if you don’t say yes.”
There’s been a big movement called #GoldOpen (which I am a part of, organizing a theater buyout for the Cornell Asian Alumni Association, other Ivy League Asian American alumni associations, and the Duke Alumni Association):
Digital media entrepreneur Bing Chen has seized on director Jon Chu’s comment that “Crazy Rich Asians is more than just a movie, it’s a movement” and is promoting the movie on social media with the #GoldOpen hashtag in the hopes of drawing a record box office.
So there are high expectations for the film, and I, like many, was worried that the movie would not live up to the hype. But it does, at least for me—the themes of the romantic comedy genre are pretty universal, even if the characters are Asian and Asian American and the film is set in Singapore and many of the characters are in the 1 percent, the movie should have a broad appeal. As Wikipedia defines a romantic comedy:
In a typical romantic comedy the two lovers tend to be young, likeable, and apparently meant for each other, yet they are kept apart by some complicating circumstance (e.g., class differences, parental interference; a previous girlfriend or boyfriend) until, surmounting all obstacles, they are finally reunited.
And Crazy Rich Asians fits the mold very well, though I wouldn’t say that the movie is completely formulaic. If you like romantic comedies like Pretty Woman, Notting Hill, or Love Actually, I’m pretty sure you’ll like Crazy Rich Asians, but it’s not as original as, say, Groundhog Day, Eternal Sunshine of the Spotless Mind, or The Princess Bride.
I have to say I knew I was going to like the film when in an early scene, Nick tries to convince Rachel to visit Singapore, and I heard the word “ahma” (grandmother). Just the word “ahma” was an “aha” moment, making me think, “Wow, I think that is the first time I’ve ever heard that word in an American movie.”
Constance Wu as Rachel and Henry Golding as Nick are great together, and Golding makes a great leading man—quite handsome and physically fit, definitely no Long Duk Dong. Michelle Yeoh is excellent as Nick’s mom Eleanor and the family matriarch, playing reserved and stern for maximum intimidation, almost in a The Devil Wears Prada Meryl Streep/Miranda Priestly kind of way.
But the breakout star and comedic relief is actress and rapper Awkwafina who plays Peik Lin, Rachel’s close friend from college. As a Duke MBA, I’m a big fan of Ken Jeong (Duke ’90)—and although he doesn’t have a huge part, he plays Peik Lin’s father, and he’s funny (as expected) when he’s on screen. Nico Santos also does a terrific job as Oliver T’sien, Nick’s gay, sassy, and well-styled second cousin.
I was captivated by the stunning and exquisitely poised Gemma Chan, who plays Astrid Teo, Nick’s cousin. Chan is absolutely gorgeous in this film and I really liked her portrayal of her character (which, I read in one tweet, was quite faithful to her character described in the book). I was aware of Chan before, since I had seen her in the AMC television series Humans, where she played an anthropomorphic robot (called “synths” in the series).
Cast of Crazy Rich Asians
There are also a host of other actors and actresses I could go on about, but this is supposed to be a mini-review.
Overall, the movie is very entertaining and very funny. You get to see what the 1 percent in Singapore and Asia live like (maybe somewhat exaggerated). The movie is gorgeously shot. Lots of food and fashion porn, and as one review put it, affluence porn.
What Lord of the Rings did for New Zealand, Crazy Rich Asians might do for Singapore. I’ve visited Singapore twice, and in the movie, Singapore never looked better (though the last time I visited was in January 1999).
There are the twists and turns like in any romantic comedy, but the audience hopes and usually gets the happy ending it wants. I read The Joy Luck Club before seeing the movie over 25 years ago, but I have not read Crazy Rich Asians. I kind of want to now, to learn a little bit more about the characters and their backgrounds. With so many characters, it’s hard to have all the characters developed within a time span of two hours. Additionally, author Kevin Kwan followed up his bestseller with two more00—China Rich Girlfriend and Rich People Problems.
Before the movie started, I read tweets about #crazyrichasians to see what the reaction to the movie was—some wrote that they laughed and cried, and I thought that maybe the crying was a bit melodramatic. But to be honest, I did tear up a little (I’m kind of a closet romantic—then again, I also tear up whenever I see the end of Armageddon with this line, “Colonel Willie Sharp, United States Air Force, ma’am. Requesting permission to shake the hand of the daughter of the bravest man I’ve ever met.”)
Also, for those who understand at least a little Mandarin (like myself), there are some Mandarin songs used in the movie in the background with lyrics like “我要你的愛” (I want your love) and a Chinese version of Madonna’s “Material Girl” by Sally Yeh. And I absolutely LOVED Katherine Ho’s Chinese rendition of the Coldplay hit, “Yellow,” which was perfect to set the tone in a certain scene in the movie. Additionally, in English, the rendition of “Can’t Help Falling in Love” by Kina Grannis is terrific.
For some reason, these songs in Chinese really reinforced that Crazy Rich Asians is a special film. Although I was born and raised in the United States, as a Taiwanese American, I did go to Chinese school and did speak a little Mandarin with my parents. Most Asian Americans (due to a lot of immigration in the past 20 to 30 years), were born overseas, and still have a very strong connection to Asia. However, from reading public tweets and YouTube review comments, a lot of non-Chinese speaking people seem to like the soundtrack as well. There’s a certain familiarity yet uniqueness with these songs that were a very thoughtful magical touch by director Jon M. Chu.
Speaking of whom, I haven’t seen any of Chu’s previous movies, which included the Step Up series of movies, Justin Bieber: Never Say Never and G.I. Joe: Retaliation. In fact, I’m not even sure I had really heard of Chu, and was really surprised to learn that he grew up in Los Altos Hills, not too far from where I live. But what was a complete shock to me was to learn that Chu is the son of owner and chef of popular Chinese restaurants in Silicon Valley (and among the oldest—opened in 1970) in Los Altos, Chef Chu’s. This restaurant is literally like a 10-to-15 minute walk from where I live.
As of this writing, Crazy Rich Asians is 100% fresh on Rotten Tomatoes (with 28 reviews). Go out and see this movie. You should like—if not love—it! I’ll be sure to see this movie a few times again. Opens nationally today, Wednesday, August 15.
Images (except the one of me!) courtesy of Warner Brothers.
Heroine’s Journey brings an end to Sarah Kuhn’s delightful Asian American superheroine trilogy. In the first of the series, Heroine Complex, we meet Evie Tanaka, assistant to superheroine Aveda Jupiter. In the second, Heroine Worship, we explore Aveda Jupiter aka Annie Chang’s inner self. And here in the last, we traverse between worlds with Bea Tanaka, Evie’s younger sister, as she tries to, well, what else, save the world from demon destruction. Bea’s superpower is that she can project emotions, controlling how others are feeling.
Rather than list the tracks, I’ll quickly explain what this is, in case it’s confusing. I just learned some of this stuff this past week in preparation to write this review, so please, if I get any of it wrong, let me know in the comments!
I’m not smart enough about this music to say much more than that it’s just beautiful. My record library includes music featuring a lot of cello, including the neo-bluegrass group Crooked Still, the Scottish dance music of Alasdair Fraser and Natalie Haas, and the heavy metal of Apocalyptica. But as much as that music makes my heart swoon, none of it makes it want to leap up and explode like the playing of Yo-Yo Ma. I cannot tell you why. His 
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Nako Narter is a senior majoring in writing for film and television at Emerson College. She is originally from the Bay Area and has read forty books so far this year.
Geyser (2:23)
Be the Cowboy‘s sound is indie as heck. It’s going to remind you a bit of the Duke Spirit, a bit of the Raveonettes, and in the less rocking songs, a lot of Zooey Deschanel in She & Him. There’s a lot of great retro rock organ with distant, singing in a shower, reverberating vocal production with a lot of muted drumming on what sounds sometimes like a three-piece kit.
I’ll take anything you want to give me
Almost nobody discusses Crazy Rich Asians (the film) without mentioning the movie’s soundtrack, which is pretty cool, because how often does this happen anymore? Soundtrack albums used to be huge marketing tools for films, but unless the film is a musical, nowadays you seldom hear people talk about soundtracks. I suspect the persistent conversation means the soundtrack in CRA is especially effective. Its first few spins took me immediately to specific places they appear in the movie, which may also be a sign of its effectiveness.
I’m pretty sensitive to the way music is used in film, and I dislike most soundtracks and most movie scores. This one impressed me beginning with the opening swing of “Waiting for Your Return,” then it surprised me with interesting Chinese-language covers of familiar songs. I didn’t know anything about the soundtrack before going in, so covers of “Material Girl,” and “Yellow” caught me off guard and really work with the moods of their scenes and the context of the film’s plot.
Yet, I persisted in following my passion and overall conditions continued to improve with the help of various initiatives (internships, showcases, staffing mandates, etc.), but this forced transition of inclusive change often resulted in feelings of marginalization on staffs and in writers rooms. Some actors did find success as series regulars or supporting leads, but more often than not diversity and inclusion were reflected in the delivery guy, the nurse, or the silent extras in the background. By that time, I reached an age where I just fell through the cracks.
Breathe her in
Expectations (Overture) (1:52)
I wanted to be engaged because Hayley makes it clear that this is a very personal album, and a flight through the lyrics attests to it. I appreciate that a gay songwriter is singing intimately about the longing these personae feel for the the women they’re missing. I just can’t connect to the music, and I really tried.
