The wonderful Broadway revival “South Pacific“, directed by the brilliant Bartlett Sher, is on tour right now in San Francisco. Written in 1949 by Rodgers and Hammerstein, most people remember this musical as a lovely romance during World War II with memorable songs such as “Some Enchanted Evening“, “There’s Nothing like a Dame” and “Wonderful Guy”.
The setting of this musical is in the islands of the South Pacific, where the Americans are stationed during wartime to protect their allies from the “Japs”. This story of war and prejudice holds such relevance today, which I found refreshing.
One of the main love stories in the musical is between Lt. Joe Cable, the American military man played by Anderson Davis, who falls in love with Liat, a Tonkinese native girl, portrayed by Sumie Maeda. Fighting racial prejudices he grew up with, he is conflicted between his love for Liat while realizing he can never really take her home to meet Mom and Dad in Philadelphia. He sings a compelling song, “You’ve got be carefully taught,” about racism. Joe Cable starts the song by saying “[Racism] isn’t born in you, it happens after you’re born!”:
You’ve got to be taught
To hate and fear
You’ve got to be taught
From year to Year
It’s got to be drummed
in your dear little ear
You’ve got to be carefully taughtYou’ve got to be taught
To be Afraid
Of people whose eyes
are oddly made
And people whose skin
Is a different shade
You’ve got to be carefully taughtYou’ve got to be taught
Before it’s too late
Before you are 6 or 7 or 8
To hate all the people
your relatives hate
You’ve got to be carefully taught
In the original production 1949, Rodgers and Hammerstein were continually advised to take this song out of the show, claiming as the song was too controversial for a show. Against pressure, the song remained. During a touring production in 1953 in Atlanta, South Pacific created a frenzy among local legislators, as they introduced a state bill banning entertainment that supports “philosophy inspired by Moscow.” During this time, Sen. David C. Jones of Georgia stated that this song justified interracial marriage, which was an implicit threat to the American way of life.
Pretty heavy stuff for a retro Broadway musical, but I highly recommend this show, with its humanity and optimism — but it makes me wonder, have we come that much further in racial relations than this 1949 musical, a show created ahead of its time? I can only hope!
PS: For those Glee fans out there; Matt Morrison (Will Schuester) played the Lt. Joe Cable in the Broadway production of South Pacific in 2008, here is a video of him singing “Younger than Springtime,” which his character sings to Liat in the show.
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Isn't that funny how they thought that interracial marriage is a communist/Russia idea?
"Hammerstein replied that he was surprised by the idea that "anything kind and humane must necessarily originate in Moscow."
I did also want to mention Bloody Marry's caricature of an Asian woman (horrible Asian accent, etc) but perhaps for another blog post...
Isn't that funny how they thought that interracial marriage is a communist/Russia idea?
"Hammerstein replied that he was surprised by the idea that "anything kind and humane must necessarily originate in Moscow."
I did also want to mention Bloody Marry's caricature of an Asian woman (horrible Asian accent, etc) but perhaps for another blog post...
I remember when I first saw the movie version, I was surprised at the theme of prejudice. It wasn't what I was expecting out of a classic musical from the late forties, and I didn't know that it caused such a stir. I like Hammerstein's response the "Moscow" accusation in the link you provided. Thanks for the info.
It's worth mentioning that the musical is based on the Pulitzer Prize winning book, "Tales of the South Pacific" by James Michener.
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