Graphic Novel: 442; first 6 chapters have been released for free

The first six chapters of my new graphic novel “442” have been released for free on the comic reading app “Stela Unlimited”.

Written by Phinny Kiyomuraa and myself, and illustrated (in beautiful watercolor) by Robert Sato, “442” is based on one of World War II’s most compelling and important stories. The 442nd Regimental Combat Team was the U.S. Army’s Japanese American segregated fighting regiment. The 442nd would become the most decorated unit of the War, and the most decorated unit of its size and length of service in American history. Even with their families confined behind barbed wire in American concentration camps, these soldiers fought to rescue a Texas battalion lost behind enemy lines. A fictionalized account based on the actual events, “442” follows young Japanese Americans soldiers as they suffer prejudice, internment and terrible casualties in their battle to rescue the Lost Battalion.

“442” releases on a historic weekend. Sunday, February 19th, is known in the Japanese American community as the “Day of Remembrance” and marks the 75th anniversary of Executive Order 9066 which authorized the imprisonment of up to 120,000 people of Japanese ancestry, around two thirds of whom were American citizens.

Here is a sample of some of Rob’s amazing artwork:

I sat down with my collaborators and asked them a few questions:

Phinny, how did you get involved in 442?

I’m a playwright and TV writer from Long Beach, CA. My dad and all of his side of the family were sent to the camps when he was two-years-old. I eventually ended up writing a TV pilot set in an Internment Camp, called, wait for it — INTERNMENT. Super creative title. But it’s a concept that I’m very excited about — mixing a personal love for early/mid 20th-century playwriting (Arthur Miller, Tennessee Williams, Harold Pinter) with the not-all-that-often-discussed history of the camps. The pilot ended up getting a reading at the Japanese American National Museum which is where I met Koji. He and I talked about the 442, and, specifically the battle to save the Lost Battalion and decided to start working together, first on a movie of this story, and, later, on this graphic novel for Stēla.

Rob, what about you?

My grandfather was in the 442. He was drafted while imprisoned in the Jerome, Arkansas camp, and fought in Europe while his parents and 4 siblings remained incarcerated, putting his life on the line for a the country that had kicked his family out of their home, stripped them of what they had worked for over the course of their lives as well as all of their personal freedoms and their American citizenship. This story feels like it’s in my bones. I grew up with it shaping a major part of my world view. How could it not? I feel perhaps I’ve taken it for granted until recently that the overall history of the Japanese American experience was known and understood by the general culture.

And Rob, why was this project so important to you?

I took this job illustrating the comic in the hope that I could help in any small way to keep telling the important and complex story of Japanese American Internment, but had no idea at the start how urgently important this part of history would feel right now. Over the course of making it, I’ve been disturbed to find how many people who I know and meet who have either never heard of Internment, or have a dim, unformed idea of what it was, why it happened, and what it means. Adding to a general sense of alarm are several articles and opinions expressed in the media that have shown that there remains in our culture both a deep ignorance of Japanese American Internment, an outright denial of historical facts, and a dismissal of its lessons, painting it as irrelevant to current events. Or worse, cynical attempts to distort its history to justify current government policy.

My goal is always for my illustrations to be good, that they help tell a story as well as possible, but in this strange period where history and the lessons it can teach seem to be slipping away either through neglect or deliberate attack, I hope that our work on “442” can help to provide further context, discussion, and help keep alive the incredible story of what happened when my grandfather and up to 120,000 other human beings, in the name of national security, were swept up in the tide of war and racist hysteria. It’s a profoundly American epic.

Phinny, what about you? Why was this project important to you?

I think the goal, generally, is to get this amazing true story out into the American consciousness. As a TV writer and screenwriter, and formerly as an actor, of Asian American heritage, it’s hard not get a little annoyed at how few stories are told about the Asian American experience in this country. There are unbelievably gripping, funny, and sad stories aching to be told. This, we think, is one of them.

For more information about Rob’s grandfather, be sure to check out these amazing links:

To check out the first six chapters or to find out more about Stela go to:

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About Koji Steven Sakai

Writer/Producer Koji Steven Sakai is the founder of Little Nalu Pictures LLC and the CEO of CHOPSO (, the first Asian English streaming video service. He has written five feature films that have been produced, including the indie hit, The People I’ve Slept With. He also produced three feature films, a one hour comedy special currently on Netflix, and Comedy InvAsian, a live and filmed series featuring the nation’s top Asian American comedians. Koji’s debut novel, Romeo & Juliet Vs. Zombies, was released in paperback in 2015 and in audiobook in 2016 and his graphic novel, 442, was released in 2017. In addition, he is currently an adjunct professor in screenwriting at International Technological University in San Jose.
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