8Books Review: “Rich and Pretty” by Rumaan Alam

RichPretty

Rich and Pretty is not your average book about friendship, where everything is great, your friends can do no wrong, and everyone is beautiful. Ok, everyone is beautiful, at least it seems. But still, this is a book that offers a complicated look at a close friendship, between mostly best friends. Mostly because Sarah and Lauren met at age 11 and are now in their thirties, alternately casting backwards and forwards in their lives.

It is delightful in capturing those we hold on to, even as we change and our lives change. Set in contemporary New York, the novel occasionally jumps back to the moments when their friendship was closer, things they shared that are remarkable. They no longer share everything, sometimes their friendship feels burdensome. Less, but still meaningful.

In outlining the complexities of such relationships, Rich and Pretty is altogether familiar, sometimes uncomfortably so. Compellingly written, it draws us through a range of human emotion and interaction–from a moment in an early chapter where Lauren imagines how a relationship with the new office temp might play out, whirlwind of thought punctuated with commas, never periods, that plays out across pages, to later capturing those long-held secrets kept from best friends that sometimes make it out into the open and sometimes never do.

It is the kind of thing you want to read on the beach–a novel of a long-time friendship with all its ensuing tumult, nostalgia, resentment, and love. Not entirely happy, yet complex in a fulfilling way. I, on the other hand, read it predominantly on the subway, careful not to get too enraptured as to miss my stop.

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“Goofy,” A Short Story Part 3 of 3

Author’s note: I originally wrote this story 2013 for a children’s book about the Japanese American World War II experience. I published it on 8Asians in 2014. However, with the recent events and rhetoric surrounding our presidential election, I started becoming worried that the events of this short story could happen again—not to Japanese American but to Muslim and Arab Americans.

I wanted to reimagine these events if they happened today to help make sure it doesn’t happen again. As I tell my four-year-old every day, we as decedents of people who were wrongly incarcerated in camps have a moral responsibility to make sure it never happens again. Here is my way of reminding us of our past so we don’t repeat it again.

waiting-evacuation

Previously… 
Part 1
Part 2

Goofy (Pt. 3)

After the executive order, Moe’s life changed right away. He stopped going to school and his family wasn’t allowed to leave the house at night. Moe spent the first couple of days playing with Goofy and with Julia once she got back from school.

Moe noticed a lot of strangers were going in and out of his front door and how things around the house were slowly disappearing. He found his mom arguing with a man over a brand new vacuum cleaner his dad had bought her for their anniversary.

“This is brand new and worth five times what you’re offering,” Mrs. Hassan told the man.

“Take it or leave it, Ma’am.”

Mrs. Hassan shook her head and when the man left, Moe asked her, “Why are you selling the vacuum cleaner?”

“We have to sell everything,” Mrs. Hassan answered, “They are only letting us take one suitcase each.”

Goofy barked, which gave Moe an idea. Since they could each take one suitcase, they could put the vacuum cleaner in Goofy’s suitcase. After all, Goofy was a dog and didn’t have anything to bring. He told his mom his idea.

Moe knew something was wrong because his mom wouldn’t look at him. When she finally did, she said, “Goofy can’t come with us. You’ll have to find a new home for him.”

Moe ran up to him room and cried. He hugged Goofy all night. It was the saddest he had ever been.

The next morning, Moe knew what he had to do. He had two days to find a new home for his best friend. The first person he went to was Julia. He asked her if she could take Goofy, but she shook her head no.

“My mother’s allergic to dogs.”

Moe was not going to give up so easily. He went from house to house on his street looking for another family that would adopt Goofy. Some of the people slammed the door in his face, a couple adults even called him mean names.

No matter how hard Moe looked, he couldn’t find anyone willing to take his dog. Goofy knew something was wrong, but tried to make Moe feel better by licking his face and chasing his tail.

The morning Moe and his mom had to leave, Moe had still not found a home for Goofy. He told Goofy in his bravest voice, “I’m sorry, you’ll have to find a place on your own.”

Goofy barked, which was his way of saying, “Don’t worry about me.”

Moe whispered in Goofy’s ear, “I love you.”

Moe waved goodbye as Goofy ran down the street. Moe began to cry, but when he saw his mom’s tears, he remembered his father’s words and tried to be strong for her. Together, they carried their suitcases down to the bus that was going to take them away.

 

When Moe and his mom got to the bus stop, there were other families already there with their suitcases. Everyone looked really sad. Moe felt the same way, but tried to act brave.

The bus soon came and as Moe was about to get on with his mom, he saw Julia and her mother running down the street. Next to them was Goofy.

With tears in her eyes, Julia told Moe goodbye and explained that Goofy had come to their door. He was so sad looking that Julia’s mother said it was okay for her to keep him until Moe got back.

 

Moe and his mom got on the bus with all the others in their neighborhood and they rode to the train station in silence. On the train, Moe missed his dad and Goofy, but it made him feel a little better knowing that at least Goofy had a good home.

When they finally arrived at the “Relocation Center,” which was really a prison in the high deserts of California, Moe found a reason to smile. Mr. Hassan was waiting for them. Moe didn’t realize he had missed his father so much.

Approximately 110,000 Japanese Americans were forcibly removed from their homes during World War II and sent to one of ten remote “camps” around the country. Their only crime: looking like the enemy.

Follow me at @ksakai1.

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“Goofy,” A Short Story Part 2 of 3

Author’s note: I originally wrote this story 2013 for a children’s book about the Japanese American World War II experience. I published it on 8Asians in 2014. However, with the recent events and rhetoric surrounding our presidential election, I started becoming worried that the events of this short story could happen again—not to Japanese American but to Muslim and Arab Americans.

I wanted to reimagine these events if they happened today to help make sure it doesn’t happen again. As I tell my four-year-old every day, we as decedents of people who were wrongly incarcerated in camps have a moral responsibility to make sure it never happens again. Here is my way of reminding us of our past so we don’t repeat it again.

Civil Exclusion order

Previously… 
Part 1“>Part 1

Goofy (Pt. 2)

Moe’s parents were born in Syria, but he was born in America and was therefore a citizen. Because he had never visited his parent’s homeland and since he could only speak a few word of Arabic, he always felt more American than Syrian.

But when others saw Moe, they saw the enemy. At school, the other kids wouldn’t let him play baseball during recess and the teachers stopped calling on him in class. They all blamed him for what the terrorist had done. It was the first time Moe felt more Syrian than American.

Not everyone stopped being friends with Moe. Julia told him. “Now you have more time for me.”

Goofy barked, which was his way of saying, “Don’t forget about me too!”

A month after Mr. Hassan was taken away, the family finally got a letter from him. Mr. Hassan told them that he was safe, but he couldn’t say where he was.

 

In late March 2017, Moe was playing catch with Goofy and Julia when one of their old Syrian neighbors walked past them in tears.

“They are sending us away,” she told them.

Moe wanted to know more, so Julia, Goofy, and Moe went online. On the CNN website, there was an article and in it President Trump had signed an executive order that had called for the incarceration of all Muslim and Arab Americans. In the picture next to the president was a big poster with the words, “Instructions to Muslims…”

Moe didn’t understand the article so he asked Julia to explain it to him, “It says that you have to leave your homes and move away.”

“When?”

“In a week.”

“But how will Dad find us?” Moe later asked his mom.

“I guess we’ll have to write him a letter and tell him where we are.”

Moe knew his mom was sad. He wanted to say something to make her feel better, but didn’t know what he could say. So he said nothing.

To be continued…

Follow me at @ksakai1.

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Linsanity Left off the list of 21st Century Knicks Highlights

https://www.youtube.com/watch?v=8iWWFk6TX18

8A-2016-07-BrooklinsanityThe New York Post is disgusted that Linsanity has been left off of Madison Square Garden Network’s list of Top 21st Century Knicks Moments.  Lin’s career high 38 points should at least be as good as Iman Shumpert’s career-high 27 points in 2014!

Ironically, Linsanity began with a game against the Knicks’ crosstown rivals, and he is leaving Charlotte to play for the Nets in Brooklyn.

(h/t:  John)

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“Goofy,” A Short Story Part 1 of 3

Author’s note: I originally wrote this story 2013 for a children’s book about the Japanese American World War II experience. I published it on 8Asians in 2014. However, with the recent events and rhetoric surrounding our presidential election, I started becoming worried that the events of this short story could happen again—not to Japanese American but to Muslim and Arab Americans.

I wanted to reimagine these events if they happened today to help make sure it doesn’t happen again. As I tell my four-year-old every day, we as decedents of people who were wrongly incarcerated in camps have a moral responsibility to make sure it never happens again. Here is my way of reminding us of our past so we don’t repeat it again. 

nara dog evacuation image

Goofy

 

Moe Hassan’s 10th birthday was on July 4, 2016 and he knew he wanted a dog. He even had a name picked out already. The dog’s name was going to be Goofy, which had always been his favorite Disney character.

For the entire month of June, Moe begged his dad to get him a dog.

“Dad, can I have a dog?” Moe would ask every time he saw him.

And every time Mr. Hassan would say, “No.”

But Moe wasn’t the kind of boy that took no for an answer. So he kept asking.

 

By the time his birthday finally came, Moe hadn’t been able to change his dad’s mind. That’s why when his dad came home from work with a handsome 75-pound mutt, he had to pinch himself to make sure he wasn’t dreaming.

“Happy birthday,” Mr. Hassan told Moe.

Mrs. Hassan asked him, “What are you going to call him?”

Moe didn’t have to think about it. “Goofy.” And the funny thing was that Goofy really did look like the cartoon Goofy!

“That’s a great name,” Mr. Hassan said.

And from that point on, Goofy was part of the Hassan family.

 

Goofy and Moe quickly became best friends. Goofy went everywhere Moe went. They even slept in the same bed! His mom told him that he’d get bit by fleas, but Moe didn’t care. He couldn’t fall asleep without his Goofy right next to him.

Every day they visited Moe’s other best friend, Julia, who lived right down the street from the Hassan’s. Goofy liked Julia because she tied fancy bows in his hair and gave him lots of hugs and kisses.

Donald Trump was elected president in November of that year. Moe knew his parents were worried about it because he could hear them whispering in the kitchen. But Moe wasn’t concerned. He figured that Donald was all talk. He had known his fair share of bullies just like him.

December 7, 2016 started like any other Sunday. Moe and his mom went to the mosque down the street. During the middle of the service, people began to whisper that terrorists had attacked Los Angeles, New York City, and Chicago. Moe knew his dad would want to know the news right away, so he excused himself and ran all the way home.

But when he got to his house, Moe knew something was wrong. There was a strange car parked in the driveway and the front door was wide open.

Moe entered the house and saw Goofy growling at two strange men who looked like police officers, but were wearing suits instead of uniforms.

Mr. Hassan told Moe, “Take Goofy up to your room.”

Moe was about to protest, but then he saw the look on his dad’s face. He had never seen him look so scared before. Moe did as he was told and when he came back down the two strangers were confiscating the family’s computer.

“Moe,” Mr. Hassan said, “You are now the man of the house, take care of your mother.”

A few minutes later, the two men took Mr. Hassan away in the car.

To be continued…

Follow me at @ksakai1.

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Alyssa Wong’s “Hungry Daughters of Starving Mothers” wins 2015 Nebula Award

alyssawongAlyssa Wong, A Filipina Chinese American writer, has won the 2015 Nebula Award for her short story, “Hungry Daughters of Starving Mothers.”  The Nebula Awards are given annually by the Science Fiction Writers Association.  In the story, Wong mixes in an Asian American flavor that enhances but does not dominate the story line.

Another work of hers that I have read is “Santos de Sampaguitas.”  This short story is set in the Philippines and includes many creatures of Filipino folklore like the Kapre, which I only heard about from the stories of my mother-in-law.  It was published in Strange Horizons, a Philippine online magazine of science fiction, fantasy, art, news, and opinion.

In addition to her Nebula Award, she was nominated for a 2016 Hugo award for best new writer, among other awards.  You can check out her Bibliography and awards on her website at crashwong.net, and the two stories that I mentioned can both be read online.

(photo credit:  Alyssa Wong)

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East West Players Announces Snehal Desai As Its New Artistic Director

8A-2016-07-01-EWP-SnehalDesaiEast West Players (EWP), the nation’s longest-running professional theatre of color in the country and the largest producing organization of Asian American artistic work for the stage, announces Snehal Desai, as the organization’s fourth Artistic Director, following an extensive nationwide executive search conducted by the Arts Consulting Group. Outgoing Producing Artistic Director Tim Dang will work in an advisory capacity during a transitional period with Desai who assumes his new role starting July 1.

“We are excited that Snehal will be EWP’s next artistic leader,” said Board Co-Chair Daniel Mayeda. “He has a national reputation in the theatre world as a fierce proponent of diversity, multi-culturalism and new Asian American artistic work.” Board Co-Chair Randy Tamura added, “We believe Snehal has the communication and managerial skills, artistic creativity, and dynamic vision for the future of Asian American theatre that make him the ideal candidate to lead the organization into its next fifty years.”

“Since I met Snehal in 2011, aside from his artistic gifts and his producing skills, I recognized a charm and diplomacy in his leadership that will advance East West Players and the next generation of artists through the remarkable sea change that is happening in American theatre,” remarks Tim Dang, East West Players outgoing Artistic Director. “Snehal’s extensive involvement in his career developing over two hundred new plays, the vast majority by artists of color, has allowed him to hone an artistic style and voice that is focused on diversity, inclusion, community building, and social justice. I look forward to his and EWP’s growth and stature in the coming years.”

“I am deeply humbled and thrilled to be East West Players’ next Artistic Director,” said Desai. “EWP has proven time and time again that it is a leader in the American theatrical landscape and that the status quo is not enough. We must keep working to provide artists of color the opportunities and visibility they deserve. Under Tim’s extraordinary 23 year tenure, EWP has consistently demonstrated this with the rich and diverse range of work it has produced. I am grateful for his guidance and example.” Snehal continued, “I am also honored to have been welcomed into the East West Players community these past few years. I look forward to working with the Los Angeles community, the national theater community, board, artists, staff, and patrons to lead this seminal theater company from its golden anniversary into its next golden era.”

As Artistic Director of East West Players, Desai will be charged with providing the artistic vision and strategic, financial and operational direction of one of the most prominent theaters of color in the country. Desai will assume artistic responsibilities immediately and select the 2017-2018 Season.

Desai is currently East West Players’ Associate Artistic Director. His EWP directorial works include the world premiere productions of “A Nice Indian Boy,” and the “U.S. v. Bhagat Singh Thind,” as well as last year’s critically acclaimed production of “The Who’s Tommy.” He has directed plays at venues from The Old Globe in San Diego to Boom Arts in Portland, Oregon to the Old Vic in London, and worked at more than a dozen theaters in New York City. Desai has also produced the annual EWP Visionary Awards gala; oversaw play submissions as Literary Manager; administered the David Henry Hwang Writers Institute; administered the 2042: See Change National Playwriting Competition and the New Asian American Musicals initiative; managed artistic partnerships with local and regional theatres (including Pasadena Playhouse, La Jolla Playhouse, Oregon Shakespeare Festival, and A Noise Within); and served as EWP representative on the Asian Pacific American Media Coalition. Among various positions he has held, Desai served as Resident Director of Theater Emory; participated in the Lincoln Center Directors Lab; and was a literary fellow with London’s Royal Shakespeare Company.

A Soros Fellow and the recipient of a Tanne Award, Desai was in the Inaugural Class of Theater Communications Group’s (TCG) “Spark” Leadership Program, was featured in American Theatre magazine’s “20 Theater Workers You Should Know”, and was the Inaugural Recipient of the Drama League’s Classical Directing Fellowship. He was recently featured in the Stage Directors and Choreographers (SDC) Journal and is a member of SDC. Snehal received his B.A. in Theater Studies and Political Science at Emory University and a M.F.A. in Directing from the Yale School of Drama.

ABOUT EAST WEST PLAYERS
Mission Statement: As the nation’s premier Asian American theatre organization, East West Players produces artistic works and educational programs that foster dialogue exploring Asian Pacific experiences.

Established in 1965, East West Players (EWP) has been hailed as the nation’s leading Asian American theater troupe for award-winning productions that blend Eastern and Western movement, costumes, language, and music. EWP has premiered more than 100 plays and musicals about the Asian Pacific American experience and has held more than 1,000 readings and workshops. EWP’s emphasis is on building bridges between East and West, and one measure of our success is an audience of 56% Asians and a remarkable 44% non-Asian attendance. East West Players was founded by nine Asian-American artists (Mako, Rae Creevey, Beulah Quo, Soon-Tek Oh, James Hong, Pat Li, June Kim, Guy Lee, and Yet Lock) seeking opportunities to take on roles beyond the stereotypical parts they were being offered in Hollywood. EWP continues to provide unique opportunities for Asian-American artists and is committed to advocating for more diverse representations of the Asian-American experience on TV and across all media.

In 1998, EWP Artistic Director Tim Dang led the company’s move from a 99-seat Equity Waiver “black box” theatre into a new 240-seat venue at an Actors Equity Association contract level. EWP’s mainstage is the David Henry Hwang Theater, housed within the historic Union Center for the Arts in downtown Los Angeles’ Little Tokyo district, where it serves more than 10,000 people each year. www.EastWestPlayers.org

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8Books Review: “Not a Self-Help Book” by Yi Shun Lai

MartyWu

Yi Shun Lai’s novel Not a Self-Help Book: The Misadventures of Marty Wu delves into friendships, relationships, career crises, and how to deal with your mother. Written in a diary style, Marty Wu guides us through the ups and downs of her life. Working at an ad company in New York to pay the bills, Marty dreams of owning a small boutique costume shop. The problem? Her mother doesn’t seem to get her, support her, and it seems like her best friend doesn’t either.

Following the advice of different advice books picked up at shops around New York City, Marty takes to writing down her feelings and day-to-day “misadventures.” So the novel is written in diary form, from Marty’s perspective, full of emotion, feeling, diatribes, and the kinds of things you probably wouldn’t tell other people. Or at least, wouldn’t tell other people in full–be it a big screw up at work or your inner real feelings about your mother, brother, aunt, etc. So Marty isn’t always likable because she’s not perfect, occasionally bemoaning her own fate in dramatic fashion. But she is recognizable in her trek to figure out who she is and who she wants to be–not always a pretty project.

At the heart of the novel is Marty’s complicated relationship with her mother. Thinking about how her mother will respond to her and her choices frames Marty’s decisions, both consciously and unconsciously. And it shapes their blow out during a trip to visit family in Taiwan and all that follows. Uncoupling herself from her mother proves personally trying, but there is heart in this journey and in Marty’s process of figuring out how to deal in a way that is true to herself and her way of coping. Though at times Marty feels melodramatic and, at least to me, a bit annoying, but beyond all that, the unfolding process of dealing with her mother and those emotional pull is an honest look at difficult and trying relationships and what it means to be family.

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8Books Review: “Love, Loss, and What We Ate” by Padma Lakshmi

LoveLossPadma Lakshmi’s memoir, Love, Loss, and What We Ate is an intimate look at family, growing, grief, and eating through life’s ups and downs. Best known for her role as host on Top Chef, Lakshmi takes us from childhood to the present in vivid detail with humor, honesty, and self-reflection. She is fully willing to unveil her flaws, capitalizing on the gift of hindsight.

Lakshmi ably guides us through her triumphs and travails. She is unafraid to talk about her health issues (late diagnosis with endometritis), her sex life, her relationships, and her life between East and West. Inevitably, she returns to food–the foods of her childhood, those of heartache, what she makes for those she loves–interspersing occasional recipes throughout.

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“Big Trouble in Little China” Remake and Coffee Table Book

8A-2016-06-big-trouble-in-little-chinaDespite getting flack from fans of the original movie, Dwayne “The Rock” Johnson reportedly still intends to remake the cult classic “Big Trouble in Little China.”  I really love that movie (no matter how politically incorrect), but I still can’t see the point of remaking it, or how Johnson could play the inept everyman role of Jack Burton played by Kurt Russell.  When asked about the remake, Kurt Russell also wondered why the remake and what spin Johnson would put on his character.

While news of a remake of “Big Trouble in Little China” may be troubling to fans, they might be encouraged by the announcement of a coffee table book on the making of the movie.  The 30th anniversary of the movie’s release is on July 2, 2016.

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National Science Foundation Funds Extensive Research Survey on Asian Americans

TaekuLee_2014-750The National Science Foundation has decided to fund an extensive research survey on Asian Americans.  The survey project, lead by Political Science Professor Karthick Ramakrishnan of UC Riverside, Law Professor Taeku Lee of UC Berkeley (shown here), Sociology Professor Jennifer Lee of UC Irvine, and American Studies Professor Janelle Wong of the University of Maryland, will expand on the National Asian American Survey.  This study aims to differentiate its data from other surveys by getting statistically significant samples from each of the six largest Asian American ethnic groups, with at least 400 interviews from each group, conducted in at least 11 languages.  Along with attitudes on various subjects, data on finance, health, and other areas will be collected.

I was curious as to how these professors got a grant from the National Science Foundation, an organization that I usually associate with technology and not political science.  Their grant award summary argues that since Asian Americans make a disproportionately large number of skilled STEM (Science, Technology, Engineer, and Mathematics) workers, understanding them and the barriers facing them will be critical to ensuring the economic competitiveness of the United States.  I think that is a valid argument, and it is gratifying to see the award as a recognition of the impact of Asian Americans.

The project will produce a dataset for public release in June 2017.

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8Books Review: “The Association of Small Bombs,” by Karan Mahajan

AssocSmallBombs

Karan Mahajan’s latest novel The Association of Small Bombs delves deep inside lives affected by a marketplace bomb in Delhi. It is a terror shocks some, then passes through the news cycle, while upending the lives of others in ways conscious and unconscious. Expertly written, Mahajan provides insightful commentary on the best and worst of humans in response to tragedy.

You could pigeonhole this book as being about terrorism, about “small” terrorism. But, in truth, it is much more. Mahajan shreds the terrorist victim dichotomy that permeates society (both ours and the world of the book). He provides surely one of the most sympathetic views of those involved in setting off these small bombs, those accused, and all those whose lives come to revolve around the bombing.

I was hooked on the first page (“A good bombing begins everywhere at once”) and it continued to be unexpected and innovative in direction.

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