East West Players Announces Snehal Desai As Its New Artistic Director

8A-2016-07-01-EWP-SnehalDesaiEast West Players (EWP), the nation’s longest-running professional theatre of color in the country and the largest producing organization of Asian American artistic work for the stage, announces Snehal Desai, as the organization’s fourth Artistic Director, following an extensive nationwide executive search conducted by the Arts Consulting Group. Outgoing Producing Artistic Director Tim Dang will work in an advisory capacity during a transitional period with Desai who assumes his new role starting July 1.

“We are excited that Snehal will be EWP’s next artistic leader,” said Board Co-Chair Daniel Mayeda. “He has a national reputation in the theatre world as a fierce proponent of diversity, multi-culturalism and new Asian American artistic work.” Board Co-Chair Randy Tamura added, “We believe Snehal has the communication and managerial skills, artistic creativity, and dynamic vision for the future of Asian American theatre that make him the ideal candidate to lead the organization into its next fifty years.”

“Since I met Snehal in 2011, aside from his artistic gifts and his producing skills, I recognized a charm and diplomacy in his leadership that will advance East West Players and the next generation of artists through the remarkable sea change that is happening in American theatre,” remarks Tim Dang, East West Players outgoing Artistic Director. “Snehal’s extensive involvement in his career developing over two hundred new plays, the vast majority by artists of color, has allowed him to hone an artistic style and voice that is focused on diversity, inclusion, community building, and social justice. I look forward to his and EWP’s growth and stature in the coming years.”

“I am deeply humbled and thrilled to be East West Players’ next Artistic Director,” said Desai. “EWP has proven time and time again that it is a leader in the American theatrical landscape and that the status quo is not enough. We must keep working to provide artists of color the opportunities and visibility they deserve. Under Tim’s extraordinary 23 year tenure, EWP has consistently demonstrated this with the rich and diverse range of work it has produced. I am grateful for his guidance and example.” Snehal continued, “I am also honored to have been welcomed into the East West Players community these past few years. I look forward to working with the Los Angeles community, the national theater community, board, artists, staff, and patrons to lead this seminal theater company from its golden anniversary into its next golden era.”

As Artistic Director of East West Players, Desai will be charged with providing the artistic vision and strategic, financial and operational direction of one of the most prominent theaters of color in the country. Desai will assume artistic responsibilities immediately and select the 2017-2018 Season.

Desai is currently East West Players’ Associate Artistic Director. His EWP directorial works include the world premiere productions of “A Nice Indian Boy,” and the “U.S. v. Bhagat Singh Thind,” as well as last year’s critically acclaimed production of “The Who’s Tommy.” He has directed plays at venues from The Old Globe in San Diego to Boom Arts in Portland, Oregon to the Old Vic in London, and worked at more than a dozen theaters in New York City. Desai has also produced the annual EWP Visionary Awards gala; oversaw play submissions as Literary Manager; administered the David Henry Hwang Writers Institute; administered the 2042: See Change National Playwriting Competition and the New Asian American Musicals initiative; managed artistic partnerships with local and regional theatres (including Pasadena Playhouse, La Jolla Playhouse, Oregon Shakespeare Festival, and A Noise Within); and served as EWP representative on the Asian Pacific American Media Coalition. Among various positions he has held, Desai served as Resident Director of Theater Emory; participated in the Lincoln Center Directors Lab; and was a literary fellow with London’s Royal Shakespeare Company.

A Soros Fellow and the recipient of a Tanne Award, Desai was in the Inaugural Class of Theater Communications Group’s (TCG) “Spark” Leadership Program, was featured in American Theatre magazine’s “20 Theater Workers You Should Know”, and was the Inaugural Recipient of the Drama League’s Classical Directing Fellowship. He was recently featured in the Stage Directors and Choreographers (SDC) Journal and is a member of SDC. Snehal received his B.A. in Theater Studies and Political Science at Emory University and a M.F.A. in Directing from the Yale School of Drama.

ABOUT EAST WEST PLAYERS
Mission Statement: As the nation’s premier Asian American theatre organization, East West Players produces artistic works and educational programs that foster dialogue exploring Asian Pacific experiences.

Established in 1965, East West Players (EWP) has been hailed as the nation’s leading Asian American theater troupe for award-winning productions that blend Eastern and Western movement, costumes, language, and music. EWP has premiered more than 100 plays and musicals about the Asian Pacific American experience and has held more than 1,000 readings and workshops. EWP’s emphasis is on building bridges between East and West, and one measure of our success is an audience of 56% Asians and a remarkable 44% non-Asian attendance. East West Players was founded by nine Asian-American artists (Mako, Rae Creevey, Beulah Quo, Soon-Tek Oh, James Hong, Pat Li, June Kim, Guy Lee, and Yet Lock) seeking opportunities to take on roles beyond the stereotypical parts they were being offered in Hollywood. EWP continues to provide unique opportunities for Asian-American artists and is committed to advocating for more diverse representations of the Asian-American experience on TV and across all media.

In 1998, EWP Artistic Director Tim Dang led the company’s move from a 99-seat Equity Waiver “black box” theatre into a new 240-seat venue at an Actors Equity Association contract level. EWP’s mainstage is the David Henry Hwang Theater, housed within the historic Union Center for the Arts in downtown Los Angeles’ Little Tokyo district, where it serves more than 10,000 people each year. www.EastWestPlayers.org

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8Books Review: “Not a Self-Help Book” by Yi Shun Lai

MartyWu

Yi Shun Lai’s novel Not a Self-Help Book: The Misadventures of Marty Wu delves into friendships, relationships, career crises, and how to deal with your mother. Written in a diary style, Marty Wu guides us through the ups and downs of her life. Working at an ad company in New York to pay the bills, Marty dreams of owning a small boutique costume shop. The problem? Her mother doesn’t seem to get her, support her, and it seems like her best friend doesn’t either.

Following the advice of different advice books picked up at shops around New York City, Marty takes to writing down her feelings and day-to-day “misadventures.” So the novel is written in diary form, from Marty’s perspective, full of emotion, feeling, diatribes, and the kinds of things you probably wouldn’t tell other people. Or at least, wouldn’t tell other people in full–be it a big screw up at work or your inner real feelings about your mother, brother, aunt, etc. So Marty isn’t always likable because she’s not perfect, occasionally bemoaning her own fate in dramatic fashion. But she is recognizable in her trek to figure out who she is and who she wants to be–not always a pretty project.

At the heart of the novel is Marty’s complicated relationship with her mother. Thinking about how her mother will respond to her and her choices frames Marty’s decisions, both consciously and unconsciously. And it shapes their blow out during a trip to visit family in Taiwan and all that follows. Uncoupling herself from her mother proves personally trying, but there is heart in this journey and in Marty’s process of figuring out how to deal in a way that is true to herself and her way of coping. Though at times Marty feels melodramatic and, at least to me, a bit annoying, but beyond all that, the unfolding process of dealing with her mother and those emotional pull is an honest look at difficult and trying relationships and what it means to be family.

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8Books Review: “Love, Loss, and What We Ate” by Padma Lakshmi

LoveLossPadma Lakshmi’s memoir, Love, Loss, and What We Ate is an intimate look at family, growing, grief, and eating through life’s ups and downs. Best known for her role as host on Top Chef, Lakshmi takes us from childhood to the present in vivid detail with humor, honesty, and self-reflection. She is fully willing to unveil her flaws, capitalizing on the gift of hindsight.

Lakshmi ably guides us through her triumphs and travails. She is unafraid to talk about her health issues (late diagnosis with endometritis), her sex life, her relationships, and her life between East and West. Inevitably, she returns to food–the foods of her childhood, those of heartache, what she makes for those she loves–interspersing occasional recipes throughout.

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“Big Trouble in Little China” Remake and Coffee Table Book

8A-2016-06-big-trouble-in-little-chinaDespite getting flack from fans of the original movie, Dwayne “The Rock” Johnson reportedly still intends to remake the cult classic “Big Trouble in Little China.”  I really love that movie (no matter how politically incorrect), but I still can’t see the point of remaking it, or how Johnson could play the inept everyman role of Jack Burton played by Kurt Russell.  When asked about the remake, Kurt Russell also wondered why the remake and what spin Johnson would put on his character.

While news of a remake of “Big Trouble in Little China” may be troubling to fans, they might be encouraged by the announcement of a coffee table book on the making of the movie.  The 30th anniversary of the movie’s release is on July 2, 2016.

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National Science Foundation Funds Extensive Research Survey on Asian Americans

TaekuLee_2014-750The National Science Foundation has decided to fund an extensive research survey on Asian Americans.  The survey project, lead by Political Science Professor Karthick Ramakrishnan of UC Riverside, Law Professor Taeku Lee of UC Berkeley (shown here), Sociology Professor Jennifer Lee of UC Irvine, and American Studies Professor Janelle Wong of the University of Maryland, will expand on the National Asian American Survey.  This study aims to differentiate its data from other surveys by getting statistically significant samples from each of the six largest Asian American ethnic groups, with at least 400 interviews from each group, conducted in at least 11 languages.  Along with attitudes on various subjects, data on finance, health, and other areas will be collected.

I was curious as to how these professors got a grant from the National Science Foundation, an organization that I usually associate with technology and not political science.  Their grant award summary argues that since Asian Americans make a disproportionately large number of skilled STEM (Science, Technology, Engineer, and Mathematics) workers, understanding them and the barriers facing them will be critical to ensuring the economic competitiveness of the United States.  I think that is a valid argument, and it is gratifying to see the award as a recognition of the impact of Asian Americans.

The project will produce a dataset for public release in June 2017.

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8Books Review: “The Association of Small Bombs,” by Karan Mahajan

AssocSmallBombs

Karan Mahajan’s latest novel The Association of Small Bombs delves deep inside lives affected by a marketplace bomb in Delhi. It is a terror shocks some, then passes through the news cycle, while upending the lives of others in ways conscious and unconscious. Expertly written, Mahajan provides insightful commentary on the best and worst of humans in response to tragedy.

You could pigeonhole this book as being about terrorism, about “small” terrorism. But, in truth, it is much more. Mahajan shreds the terrorist victim dichotomy that permeates society (both ours and the world of the book). He provides surely one of the most sympathetic views of those involved in setting off these small bombs, those accused, and all those whose lives come to revolve around the bombing.

I was hooked on the first page (“A good bombing begins everywhere at once”) and it continued to be unexpected and innovative in direction.

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Are Asian Americans really the Healthiest Americans?

healthSince beginning the year, my family has been dealing with a number of medical issues, from emergency operations to life style changes stemming from chronic conditions.  When I saw that The Center for Disease Control has released a study looking at the Health of Asian Americans that declares that Asian Americans are more likely to be healthier than the average American, it really got my attention.  To its credit, the report disaggregates the data between Asian ethnicities, making conclusions such as Vietnamese Americans are more likely to have poorer health than the general population.  But what does it mean that Asian Americans are the healthiest Americans?  How applicable is that to all Asian Americans?  What does the study miss?

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8Questions with Playwright Leah Nanako Winkler

After seeing her play Kentucky Off-Broadway, I chatted with Leah Nanako Winkler about being biracial and young in the theater world, things on her reading list, and what’s next (heads up LA!)–and she was delightful even when I failed to properly articulate questions. Also, since both our initials are LW, my questions, words, and contextual notes are just in italics.

LeahNanakoWinklerWhat was the inspiration for the play? To what extent is it autobiographical?

A lot of people have been asking about the autobiographical because you know, I’m half Asian—I actually don’t like that term, I’m biracial—my mom’s Japanese and my dad’s white. I think that’s part of the reason people automatically assume that it’s about me because you don’t really see that on stage a lot. You see the author is biracial, you think, oh, that must be about her. I don’t think that happens a lot to every other writer whose white. Not that all other writers are white.

Right, but it’s a different conversation.

Yes. The character of Hiro is actually not me at all. She is a marketing executive who makes a lot more money than me who has a very strong belief system that does not reflect my own. A lot of the people in the play were inspired by circumstances in my real life in the sense that I did grow up partially in Kentucky, in a town called Lexington. I actually was born in Japan though and moved to Indiana mid-childhood and then Kentucky. I lived in Kentucky for a total of about ten years and I was very, very, very active in the Japanese community that they have in Lexington which sounds a little bizarre, but there’s a lot of Japanese people there. I went to Japanese school on Thursdays and Saturdays. I definitely was brought up in both cultures. Hiro is very Americanized and I imagine that she was born and raised in Kentucky and she moves to New York, that’s probably the first place she lives aside from her hometown. Continue reading

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Victoria Lai’s Sweet Taste of Success Running an Ice Cream Parlor

I caught this NBC News feel good story about pursuing your dreams recently about Wellesley-educated, former lawyer and Washington, D.C. insider Victoria Lai who had worked for the Obama administration (as Counselor to the Director for U.S. Citizenship & Immigration Services, DHS) to pursue her love of ice cream and open up her own ice cream shop – www.icecreamjubilee.com

Not sure why NBC is doing a story on Lai now, since she’s been doing this at least since 2013, according to this Bloomberg Law story when she was doing ice cream part-time and opened her first store in July 2014.

8Asians_NBC_News_Victoria_Lai_ice_cream

I’m impressed. I don’t think I’d have the guts for financial and professional reasons to give up my day job to pursue a personal passion, hobby where I feel I could actually make a living. I wonder what Lai’s parents think when she gave up her career in law and government? Probably not a traditional career that a Tiger Mom would approve of.

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8Books Review: “The Art of Charile Chan Hock Chye” by Sonny Liew

CharlieChanHockChye

The Art of Charlie Chan Hock Chye presented by Sonny Liew is an imaginative and brilliantly crafted narrative about the title man, one of Singapore’s premier comic artists.

Chan, now an old man, narrates his life story and Sonny illustrates a very personal telling. What makes this book unique and special is the integration and explanation of Chan’s comic work (though Chan is a creation of Liew’s, each has distinct flavors). Between Chan’s voice and editorial notes from Liew, Singapore’s history and politics come alive, alongside a range of comic work and day-to-day sketches. It also includes unpublished works that reflect Chan’s evolving opinions about the changes unfolding around him. To make it just a touch more meta, there are also excerpts from Chan’s unpublished autobiographical work which is very much of the style that Liew uses throughout the book. Suffice to say, it’s a little complicated to explain, but the short of it is that this is a book worth picking up.

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Priscilla Chan, in rare interview, tells how her goals with Mark Zuckerberg are shaped by personal story

In the local Silicon Valley newspaper, The San Jose Mercury News recently did an interview with Priscilla Chan. She’s most well known for being the wife of founder & CEO of Facebook, Mark Zuckerberg and she rarely gives interviews.

In this particular interview, Chan talks about how her personal story and background has helped shaped the her and Zuckerberg’s donations to schools and hospitals. I was kind of surprised to learn about Chan’s background, and just assumed she grew in a middle-to-upper-class Asian American family – since she went to Harvard, dated-and-married Zuckerberg, and also became a doctor. I was wrong:

“Wealth and power used to be foreign to Chan, the child of immigrant parents who fled Vietnam on refugee boats in the 1970s and never went to college.

While Chan was growing up in Quincy, Massachusetts, her family stressed the importance of school and hard work as the keys to a life better than the one the Chinese-Vietnamese refugees left behind.


Her Cantonese-speaking grandparents raised her and two younger sisters while her parents, Dennis and Yvonne, worked long hours at a Chinese restaurant and other jobs.

And while her parents never attended college, they wanted their daughters to do better, though it was an abstract idea rather than a road map filled with a list of specific colleges and test scores. Once, Chan told her mom she wanted to take the SATs. “What’s that?” her mom asked.”

Priscilla Chan, center, CEO of The Primary School in East Palo Alto, is pictured in consultation with an unidentified staff member. Chan, the wife of Facebook co-founder and CEO Mark Zuckerberg, founded The Primary School as a way to try to combat and alleviate the effects of poverty on children. (Courtesy of Priscilla Chan)

I remember one summer when I was a mechanical engineering summer intern at a local manufacturing company, and was looking for someone or something and a person on the loading dock asked me if I was an intern. I said, yes, and he then asked me where I went to school. I said, ‘Cornell.’ He responded, “Oh, not as good as Harvard or Yale, but it’s up there. You must be rich and smart!”

Rest assured, I was not. As someone who had student loans ($17,000 then – about $25,000 in today’s dollars, adjusted for inflation), I definitely did not feel rich! So in some ways, I had fallen to the mis-perception and stereotype of Asian Americans at Ivy League and other elite universities come from fairly well-to-do backgrounds. And Chan’s case reminded me that is certainly not the case.

For a lot of Taiwanese Americans that I’m familiar with of my generation, our parents immigrated to the United States for graduate school, often attending the “Harvard” of Taiwan, National Taiwan University (my father did, though he was the first in his family to attend college) and eventually going to work in professional jobs. So when I first moved to the San Francisco Bay Area to see Asian Americans in non-professional jobs in big numbers, that is when I realized how much of a myth the Model Minority myth truly was.

Image courtesy of The San Jose Mercury News

 

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On Memorial Day: The Last Viewing

While Memorial Day in the US usually brings up thoughts of summer and barbecue, dead Asian American and Pacific Islander veterans usually don’t come to mind. This StoryCorp animation of a father’s remembrance of his dead son reminded me of what the holiday is supposed to commemorate. Allen Hoe, a Vietnam War veteran himself, tells the story of his trip to Washington to honor his son’s memory and the surprise encounter he made while there.

StoryCorps is a great way of preserving the stories of friends and family.  I have used it to record my father’s stories, many of them about being in the US Navy, and plan to do so soon for my mother.

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