When Asian Americans are “too American”: Filipino Americans in the 1930’s

(photo credit: Anita Navalta Bautista)

A recent poll suggests that many Americans think that Asian Americans are more loyal to their country of origins than to the United States.  In contrast, a blog post from the JSTOR Daily describes a time when Asian Americans immigrants seemed more hip and more American than the Americans born in the US.

As a result of being colonized by the US, Filipinos coming to the US during the 1930’s were very familiar with American culture and fashion.  LA Times writer Maddin Malone talked about this in 1938:

The little brown men from the Philippines [sic] are two or three years ahead of the styles and the well dressed American in a few seasons will be wearing what they are wearing down in Los Angeles and Main streets now.

Despite working as farm workers, these Filipino Americans known as the Manongs (from “manong” meaning “older brother”) would buy suits in the latest fashions and wear them around town and in dance halls.  Apl.de.ap‘s Bebot (Generation 1) music video shows a stylized version of the slick outfits and activity in these dance halls.  Ironically, being fashion forward and culturally aware of American trends contributed to anti-Filipino riots, according to some:

The Filipinos got into trouble at Watsonville because they wore ‘sheiker’ clothes, danced better and spent their money more lavishly than their Nordie fellow farm hands.

Then, as now, being a model minority can still get you beaten up.

One custom suit maker that catered to the Manongs was Macintosh Studios.  The picture above is taken from that SFGate article.  The article also mentions a sociologist, Paul Cressey, who in 1932 studied taxi dance halls frequented by custom suit wearing Filipino men.  Cressey is quoted as saying:

the young Filipino in this country is, from the point of view of some people, too readily Americanized

You can read more about this subject in the paper Filipinos are the Dandies of the Foreign Colonies”: Race, Labor Struggles, and the Transpacific Routes of Hollywood and Philippine Films, 1924–1948 and in Paul Cressey’s study The Taxi-Dance Hall (institutional license required).

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Actor James Hong *FINALLY* Receives Star Hollywood Walk of Fame

Last week, actor James Hong, at age 93, *finally* received his star on the Hollywood Walk of Fame:

“Hong, 93, who was joined by celebrity guest speakers Daniel Dae Kim and Jamie Lee Curtis, unveiled his star in a ceremony, becoming one of just 19 people of Asian descent to make it on the walk out of more than 2,700. Hong told the crowd of co-stars and fans that he hoped to soak up the occasion.

Hong — who has 700 credits, including “Blade Runner” and Disney’s original “Mulan” — was honored at a ceremony attended by several of his co-stars over the years. Also in attendance were most of the cast of his recent sci-fi comedy, “Everything Everywhere All at Once,” in which he plays Gong Gong, the father of the main character, Evelyn. The event also featured a lion dance he arranged himself, in addition to speeches. 

A handful of other Asian American and Pacific Islanders will also receive stars this year, including Jason Momoa, Ming-Na Wen and apl.de.ap, who is of Filipino descent, as a member of the Black Eyed Peas. Hong got his star after more than 70 years of work in the industry, alongside his constant advocacy for more Asian American representation in Hollywood.  

Along with a few other Asian American artists, Hong launched the Asian American theater group East West Players in 1965 with the goal of increasing the visibility of the Asian American experience. Hong, a military veteran who also worked several years as an engineer, has told NBC Asian America that his early experiences prompted his lifelong desire to fight for equity.”

My first recollection of recognizing Hong was when I saw him as a kid in the film Big Trouble in Little China, but I am sure I’ve seen him in countless different roles before that and certainly afterwards.

He was of course recently in Everything Everywhere All at Once. It’s great to see that Hong finally gets the recognition he has long deserved.

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Now on Netflix: ‘Like a Rolling Stone: The Life & Times of Ben Fong-Torres’

Back in October of last year, we reviewed the documentary ‘Like a Rolling Stone: The Life and Times of Ben Fong-Torres,’ which was still making the film festival circuit (I believe) and released theatrically. Now the documentary is available on Netflix. From the press release:
“The film, directed by Suzanne Joe Kai, is an insightful, moving and entertaining portrait of the iconic Asian American journalist who was instrumental in the careers of many iconic music legends. It was no secret that every rock/pop/soul music act of the 70’s yearned to be on the cover of the revolutionary Rolling Stone magazine and be interviewed by Ben Fong-Torres. Executive produced by Oscar® winning Freida Lee Mock, Oscar® nominated Bryn Mooser, award winning Doug Blush and the late Tony Hsieh, LIKE A ROLLING STONE: THE LIFE AND TIMES OF BEN FONG-TORRES shows us how the legendary Rolling Stone magazine writer and music editor, defined the cultural zeitgeist of the ’60s and ’70s. Featuring incredible archival footage and intimate interviews with Ben Fong-Torres, Cameron Crowe, Annie Leibovitz, Carlos Santana, Elton John, Steve Martin, Bob Weir, Quincy Jones, Marvin Gaye and more, this film brings us the personal story of this legendary journalist.”
I had watched a screener at the time, and was surprised to see all the great footage of some legendary and iconic musicians and entertainers that Ben Fong-Torres got to interview. If you’re interested at all about music and entertainment or the 60’s and 70’s, this is a must see documentary. Note that owners of the trailer do not allow it to be embedded, but you can see it by directly following this link.  
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8Books: AANHPI Month Children’s Book Roundup

In honor of Asian American Native Hawaiian Pacific Islander (AANHPI) Heritage Month, here’s not one, not two, but eight recently or about to be released children’s books to check out. I remember very few Asian American picture books from when I was growing up, so am thrilled at the diversity and creativity that’s available today. I also love that more and more books are not shying away from including multiple languages, whether it be as fully bilingual books or choosing not to translate key words or phrases.

Luli and the Language of Tea
Andrea Wang, pictures by Hyewon Yum

In this very sweet story, Luli hatches a plan to help her classmates — all non-English speakers — find common ground. She brews a pot of tea, and beckons them to join her. The book has each child giving their language’s pronunciation of tea, all very similar to Luli’s cha. The children all gather around the table, sharing and passing tea. The story includes the word for tea in the characters (Chinese and Hindi, for example) as well as a pronunciation guide.

 

‘Ohana Means Family
Ilima Loomis, illustrated by Kenard Pak

‘Ohana Means Family celebrates all the things that go into making poi for a lu’au and offers a glimpse of Hawaiian culture and ethos. The story progressively adds elements (a la “the house that Jack built”) — from the kalo (taro) to the hands that pick it, from the land that’s never been sold and the sun and wind — the rhyming lines have a well-paced rhythm to them and accompany lush watercolors

 

Love in the Library
Maggie Tokuda-Hall, illustrated by Yas Imamura

Set in Minidoka incarceration camp, Love in the Library tells the story of two people–Tama and George–finding each other during an extremely difficult time and is based on the author’s grandparents experience. I was reminded that Japanese American incarceration during World War II remains an under-known story when someone I know picked up the book from my shelf and asked if it really happened. Tokuda-Hall offers a succinct summary of what happened within the story and in the author’s note. And ultimately the story of Tama, a librarian, and George, a frequent patron, is one of sweetness and resilience. “To fall in love is already a gift. But to fall in love in a place like Minidoka, a place built to make people feel like they weren’t human–that was miraculous.”

 

Have You Eaten? A Story of Food, Friendship, and Kindness
Su Yuon Lee

Coco the chipmunk is known for asking her friends and neighbors, “have you eaten?” Inspired by the Korean greeting, her friends–who initially find this odd–learn why Coco always ask this and shares sweet potatoes. Have You Eaten? is adorably illustrated and reveals the caring spirit behind this greeting. The back of the book includes an author’s note that goes into more depth on the origins of the greeting and a recipe for making Korean-style sweet potatoes.

 

The Leaping Laddoo
Harshita Jerath, illustrated by Kamala M. Nair

Written in the style of “you can’t catch me, I’m the gingerbread man,” The Leaping Laddoo is about an Indian sweet that springs to life (reminding me first of the Pixar short Bao before I realized the gingerbread man thing) and then proceeds to try and not get eaten. He runs past dancers, a chai wala, cricket players, and more, chanting “Bhago, bhago, as fast as you can, you can’t eat me I’m the laddoo man!” Suffice to say, it’s fun to read out loud and the illustrations are great. Oh, and there’s a recipe at the back because you’ll probably be hungry when you’re done — and if you’ve never eaten a laddoo, truly, they are delicious.

 

Mommy’s Hometown
Hope Lim, illustrated by Jaime Kim

In Mommy’s Hometown, a young boy listens to his mom’s stories about her hometown. But when they finally get a chance to visit, so many things are changed that it doesn’t match the stories anymore. The book grapples with this adjustment for both the boy and the mom, inspired by the author Hope Lim’s own experience visiting her hometown with her son and husband.

 

Chinese Kite Festival
Rich Lo

This bilingual English and simplified Chinese book uses rich illustrations to teach animal names and actions. A guide in the back shares what the animals signify in Chinese culture — a crab represents prosperity and success; a turtle symbolized long life and immortality. The kite drawings are bright and playful. I’ll admit that the Chinese is beyond my basic knowledge (I know the word for butterfly, for example, but not for flutter), but I appreciate that it’s there.

 

I’ll Go and Come Back
Rajani LaRocca, illustrated by Sara Palacios

The first time Jyoti visits her grandmother in India, she is overwhelmed by how different it is. She doesn’t speak much Tamil and her grandmother doesn’t speak much English. But the two find ways to have fun together. Her grandmother takes Jyoti to the markets, they make rangoli in the courtyard together. She’s sad to leave, but remembers that in Tamil, they say “I’ll go and come back.” In the second half of the book, their roles are reversed when Jyoti’s grandmother comes to visit her in the United States. Jyoti teachers her grandmother hopscotch and they visit a grocery store. I’ll Go and Come Back lovingly conveys some of the challenges and joys of diasporic families.

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POV Presents A Special Encore Presentation ‘Who Killed Vincent Chin’ in Recognition of the 40th Anniversary of the 1982 Hate Crime

May is Asian Pacific American Heritage Month 2022, and one of the most consequential events in APA history is the killing of Vincent Chin, whose murders never got the justice they deserved. The documentary, ‘Who Killed Vincent Chin?’ will air nationally again on PBS on Monday, June 20, 2022 at 10pm ET.

PBS’s POV states:

“POV, now in its 35th year as America’s longest-running independent documentary series, presents a Special Encore Presentation of the gripping 1987 Academy Award® nominated film, Who Killed Vincent Chin?, by filmmakers Christine Choy and Renee Tajima-Peña, on Monday, June 20, 2022 at 10pm ET. Who Killed Vincent Chin? was recently restored by the Academy of Motion Picture Arts and Sciences, and also selected for the National Film Registry.

This year marks the 40th anniversary of the racially motivated murder of Vincent Chin, a Chinese American, murdered by two white men, Ronald Ebens and Michael Nitz, in Detroit, Michigan on June 19, 1982. The documentary, which originally aired on POV in March 1987, details the incident from initial eye-witness accounts, the ensuing murder trials to the lenient sentences the assailants received, and the repercussions for the families and community involved. Who Killed Vincent Chin? also chronicles how the case brought the disparate Asian American communities of Detroit together for the first time, and how they transformed themselves from a grassroots advocacy group into a national movement.

Their efforts helped bring public attention to the anti-Asian hate that led to Vincent Chin’s murder, and encouraged Asian American groups across the country to fight for equality and justice. The U.S. Department of Justice brought federal civil rights charges against the killers, who were ultimately acquitted on appeal, on grounds of pre-trial publicity and errors made with witnesses.

In commemoration of the 40th anniversary of Chin’s death, a series of Remembrance & Rededication activities organized in a partnership between the American Citizens for Justice, the Vincent and Lily Chin Estate, Detroit Public Television (DPTV), Center for Asian American Media (CAAM), and City of Detroit Arts and Culture (ACE) are scheduled to take place throughout the U.S. Here’s a list of the Vincent Chin 40th Rededication and Remembrance Events from June 16-19:

  • Vincent Chin 40th Commemorative Film Series – Detroit Film Theater, June 16th-17th
  • Midwest Asian American Documentary Filmmakers Convening – International Institute of Detroit, June 16th-17th
  • National Conversation on AAPIs, America, And Democracy – Detroit Film Theater, June 17th
  • An Evening of Asian American Arts, Music and Joy – St. Andrews Hall at Wayne State University, June 18th
  • Community Dialogues: Remembrance and Rededication – Detroit Film Theater, June 19th
  • Interfaith Remembrance Ceremony – Location TBD June 19th

For more information on these events, please visit VincentChin.org.”

The killing of Vincent Chin and the aftermath created a galvanizing moment in the United States and helped spawn the modern day Asian American movement.  In my opinion, it should be required viewing by all Americans.

With the rise of hate crimes against AAPIs the past few years due to COVID-19, it is even more important to remind ourselves that AAPIs are Americans too and that hate crimes affect AAPIs as well.

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The Outsized Economic Contributions of Asian Americans according to Goldman Sachs

(photo credit: Goldman Sachs)

Goldman Sachs recently released a report on the outsized economic contributions of Asian Americans.  Highlights include Asian Americans creating 19% of high impact patents between 2003 and 2019, and driving 23% of US economic growth during that period despite being around 10% of the population.  Lowlights include income inequality with the Asian American category and the bamboo ceiling.  When I read this, I thought of University of Pennsylvania Professor Amy Wax, who asserts that America is better off with less Asian immigration. Seems like just the opposite, given this data.

I was surprised by the patent statistics. While I do work in tech and have generated patents myself and know other Asian Americans who do the same, it never seemed that there was an outsized number compared to general population.  Then again, it could just be my personal perceptions, the impact factor of the patents, and my company versus the overall average.

There are many other interesting details in the report, such as what kind Asian Americans are promoted more frequently to head roles and the situations where that happens.  You can read the full report here.
(h/t: cl)

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Asian American Commercial Watch: P&G’s ‘The Name’

I saw someone retweet this P&G ad the other day, and I teared up after watching it:

“Everyone has a name — and from birth through a lifetime of introductions, it becomes the cornerstone of our identity. For many Asian Americans and Pacific Islanders (AAPI), their given names carry an even deeper history and significance. But bias, indifference, and unintentional mistakes can lead to misidentification and mispronunciation. This film hopes to elevate the importance of a name, and how meaningful gestures — like pronunciation and understanding its meaning — can create a greater sense of belonging for us all. Join us in celebrating AAPI names, together, and opening the door to belonging.”

The commercial also made me think about how I might have felt as a kid if my parents had given me an English version of a  Chinese name (I do have a Chinese name).  I thought of all the Asian Americans with anglicized Asian names have felt while growing up. I wondered about all the hassles that they might still live with today in regards to others pronouncing or spelling their names.

For some reason, the commercial reminded me of this moment in the television show ‘Lost’ where Jin & Sun are at the hospital where Sun is getting an ultrasound of their baby daughter, Ji Yeon, especially the part where Juliet tells them their English is fine. There’s also a scene in the commercial where the girl Yeong Joo Park reminds me a lot of my 11-year-old niece.

Whoever produces P&G’s commercials, they’re doing a great job, as the last P&G commercial I blogged about that featured Chloe Kim, in my min, was a real winner as well.

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Documentary ‘Norman Y. Mineta and His Legacy: An American Story’ – Available for Free Streaming

https://www.youtube.com/watch?v=vn71hAjLWRQ With the recent death of Norman Mineta, the Norman Y. Mineta and His Legacy: An American Story documentary is available for free streaming here, courtesy of the Mineta Legacy Project. I had the great pleasure of viewing this documnetary back in 2018 and meeting Mineta.  The trailer that CAAMFest had promoted for the film is above. If you have the time, I highly encourage you to view this great story about an Asian American icon.
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Jo Koy’s Movie “Easter Sunday” opening August 5, 2022

The trailer for comedian Jo Koy’s movie Easter Sunday has just come out, and I found it hilarious.  He hits on many many things Filipino American and even puts the plot in Daly City! I have seen comments about this movie, similar to some comments made about Turning Red, it is not for a wider audience.  While there are many Filipino American actors like Eugene Cordero, Tia Carrere, and Eva Noblezada to name just a few, there are wellknown actors of other ethnicities, such as Tiffany Haddish, Asif Ali, and Jimmy O Yang.  Audiences to Jo Koy’s shows are fairly diverse, and as he says in this interview:

You’re going to see a lot of different ethnicities in this movie. We got an Indian guy, we got a Black woman, we got Filipino people. We got an Indian director for God’s sake. And you know what? No one cares. It’s just a movie about a family. And once Hollywood sees that this is the norm, this can be done without always having to be so specific. A mom is a mom, a son is a son, a grandson is a grandson. And we can all relate to it. I want this movie to open other doors for other people, other ethnicities to celebrate their culture.

Easter Sunday was produced by Amblin Partners and Dreamworks and will be distributed by  Universal Pictures and Amblin Partners.  It opens on August 5, 2022.

(h/t:  Angry Asian Man)

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Historic Japanese American Norman Y. Mineta Dies at 90

Former Secretary of Transportation and Japanese American Norman Y. Mineta died on Tuesday at age 90:

“Norman Y. Mineta, a second-generation Japanese American who was held in an internment camp during World War II and later became one of the country’s highest-profile Asian American political leaders, as a big-city mayor, a 10-term congressman and a Cabinet secretary, died May 3 at his home in Edgewater, Md. He was 90.

The cause was a heart ailment, said John Flaherty, his former chief of staff.

As a Democratic congressman and later as a Cabinet member under Democratic and Republican presidents, Mr. Mineta was widely regarded for his expertise in the byzantine policies governing the country’s highways, railroads and airports. In 1971, he was the first Asian American to lead a major U.S. city, his native San Jose, which was in the midst of a population boom.

During his tenure in Congress representing Silicon Valley from 1975 to 1995, he championed civil liberties and played a key role in obtaining an official apology and compensation for Japanese Americans who were forced from their homes during World War II when their ancestry made them objects of government suspicion.”

I had the distinct honor of meeting Mineta back in 2018 at CAAMFEST36: opening night for his screening of a documentary about his life: ‘An American Story: Norman Mineta.’

Mineta lived an amazing life of service – may he Rest In Peace.

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Asian American Commercial Watch: Panda Express – ‘Wok-Fired Shrimp: Now Back at Panda Express’

https://youtu.be/c0LymLgu5LI

A former colleague and friend Mike passed this recent Panda Express commercial to me that I had not yet seen. He was intrigued by the Mandarin version of Johnny Cash’s classic, Ring of Fire – quite a clever song for Panda Express to use for their ‘Wok-fired shrimp,’ which is literally cooked in a ring of fire:

“Back at Panda Express for a limited time, try flame-crafted Wok-Fired Shrimp. This mouth-watering masterpiece is made with crispy sugar peas, fresh red bell peppers, and juicy shrimp—all seared to flavorful perfection. Try it with another favorite like Orange Chicken, Honey Walnut Shrimp, or Black Pepper Angus Steak while it’s still on menus.”

For some reason, my friend thought that maybe there was some sort of advanced AI that replaced the original vocals or some midwestern guy who likes to sing Mandarin covers, but from the YouTube description, the vocalist credit goes to Taiwanese American Ben Han-Wei Lin. When I saw Lin’s photo on his website, I was shocked that such a deep voice could come from him.

A lot of people in the YouTube comments want the full version of the song, but I doubt that will ever officially happe. This cover was specifically produced for the television commercial which, through some basic Googling, I discovered was produced by Wolfgang L.A.

Watching this commercial instantly reminded me that Panda Express had also used a Mandarin cover of Frankie Valli’s Can’t Take My Eyes Off You, which I blogged about, sung by Katherine Ho, who also sang the Mandarin cover of Yellow by ColdPlay for Crazy Rich Asians – which I absolutely loved (the cover and the film).

This commercial got me thinking, since director Jon M. Chu recently joined Weee! As Chief Creative Officer, that wouldn’t it be great if Chu commissioned a bunch of classic American songs in various Asian languages like he did with Yellow and also get the full versions of Can’t Take My Eyes Off You and Ring of Fire and use them in Weee! TV and web video commercials? I’d love to see that. There is just something that strikes an emotional chord with me to have something so familiar musically sung in a different language that I’m familar with. Chu knew what he was doing when he had many Mandarin covers of songs originally sung in English. Looks like Panda Express also knows too!

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8Books Review: Korean American by Eric Kim

Eric Kim’s debut cookbook Korean American is an absolute joy to read and cook from. The essays are beautifully written (no surprise if you’ve ever perused Kim’s writing for the New York Times) and the recipes are wide-ranging with drool-inducing photographs.

The recipes, Kim writes, “explore the tension–and the ultimate harmony–between the Korean in me as well as the American in me. I am at once both and neither, and something else entirely: I am Korean American.” That’s a line that will likely sound familiar to many Asian Americans. As will the sentence: “Getting a recipe out of my mother is like pulling teeth out of a tiger’s mouth.” (Or in my case, getting a recipe out of my grandmother). And the dishes often contain unique elements from Kim’s family traditions (jalapenos, for example, readily available in 1980s Georgia where Kim and his family lived) and/or from his own experimentations.

Reading this cookbook, actually reading it (I confess to typically not being terribly good at doing this), offers so many lovely insights into food, family, and finding oneself. Dedicated to his mother Jean, Eric Kim spent a chunk of the pandemic living with her and working on these recipes. In the process, they created some of their own and Kim found many “Korean mom tips” that he generously shares with us, and their relationship shines through in the sweetest ways. The head notes on the recipes recount a story about growing up in Georgia, innovating with ingredients, the influence of family members across the diaspora (an aunt who lived in Uruguay for example), food and memory, the greatness that is spam. His recipe for kimchi jjigae graciously accounts for the fact that not all of us have access to an “ambrosial Korean-mom stash” of very old, very ripe kimchi.

Okay, so the prose is beautiful, but down to the brass tacks … is the food good? I have now made four things out of here and can say that I would make them all again (you don’t know me, but that’s saying something). The first thing I tried was the cover star — Aunt Georgia’s Soy Sauce Fried Chicken with Jalapenos. It is *chef’s kiss*. Potato starch makes for a brilliant coating. Worth the double frying (and no freezing involved as some KFC recipes recommend). I followed it up with the Chewy Black Sesame Rice Cake. Then, curious and intrigued about Kim’s next-level devotion to gim, I cooked the Creamy Bucatini with Roasted Seaweed and the Gochugaru Shrimp with Roasted-Seaweed Grits. I confess to being a little skeptical about both (sesame oil in pasta? Korean grits?) but honestly, yum. Bonus, they were quick and easy weeknight dinners.

Which is all to say, the food is great, the writing is great, and Korean American is a worthy addition to any shelf, cookbook or otherwise.

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